Opera Scenes
Director: Jack Furness
Set Designer: Alice Edgar
Costume Designer: Xinrui Pan, Bethan Lidgey, Gethin Bevan, Haf Rogers, Amy Hill, Siyu Liu , Wenjing Ma, Haoran Huang , Dotty Squibb, Isabel Southey
Lighting Designer: Charlie Hill
Stage Manager: Nate Johnson
Production Manager: Rob Clarke
Production Photographer: Kirsten McTernan
This production was a multi-act performance composed of excerpts from several classical operas. I was responsible for the costume design for Act II, , and Act IV, . I also worked as the makeup artist, contributing to the overall visual development of the characters on stage.
Process
IntrodThis act adopted a Victorian Gothic style as its primary visual direction, with an overall palette of black and grey tones to create a mysterious, oppressive, and highly theatrical atmosphere.
Don Giovanni Act 1 quarter 'non ti fidar'
Writer: Wolfgang Amadeus Mozart
Don Ottavio and Don Giovanni
Fitting
Donna Anna and Donna Elvira
Fitting
Makeup Board
This act adopted a White Gothic aesthetic and boldly incorporated the concept of a “bed” directly into the costumes. Even without physical furniture on stage, the audience could immediately understand the setting and context of the story.
Marriage of Figaro: 'Sull'aria‘
Writer: Wolfgang Amadeus Mozart
Suzanna and Countess
Makeup Board
Fitting
production Photos
